Star Dust, Old Lace, and Grey Flannel suits.

  All the last year, while weaving the scarves representing RBG's black SCOTUS robes with a pearly white lace panel, I was contemplating the next weaving projects. 

Weavers do that. We put all our effort into designing and then while actually weaving, our minds already are moving on to the next design. How can we change this pattern? What about those other colors on the shelf?  Should I use this pattern again or rethread and rewarp the loom for something else?  

I had made enough of the original RBG scarves, changing the lace pattern section for each one, and varying the treadling for the black rosepath section so that each scarf was a slightly different OOAK. I was ready to do something else on the Baby Wolf Loom. 

So what should I put on this loom next?  

Wait! Didn't I want to try grey with white?  I'm picturing the look of a white scarf on a grey flannel coat. What about that skein of Swiss Mountain Silk, Seasilk in "Star Dust" my good friend gave me as a gift a while back? 

So by golly before I scrap this threading, I'm going to tie on a warp of that perfect silvery grey with another creamy white lace panel of the shiny seed yarn, Henry's Attic Shahrazade, alternating with Rayon thick and thin yarn.

The scarf has been woven for several months, but after Christmas, the snowy days were perfect for twisting the fringes and doing the final finishing. 

I'm so glad the sun came out for some pictures before sending this scarf off as a surprise to my friend. 

the luscious skein of yarn 

testing out weft colors and treadling patterns 

also finding a threading error to be fixed 

showing the subtle variation of the hand dyed yarn

which I lined up ikat fashion in the warp 

 

  

  

 

 

 

Ruth Bader Ginsburg Re-Imagined

Some of my scarves have been available at Red Sky Gallery in Lake Forest Park since December. 
They announced a special show for March with the theme Ruth Bader Ginsburg Re-Imagined to celebrate Women in history month and her birthday on March 15th.  The show runs all month but the opening reception was Sunday March 1st. Then on the 15th there will be her 87th birthday celebration. 
You can go to the facebook page for Red Sky and see many of the wonderful artists' conceptions of her in fun activities. 
People's choice will be announced on the 15th, so it's a good time to visit the gallery and vote for your favorite. 

Since some of us with work at the gallery are not a painter, sculptor etc., so Laura, the gallery owner asked if we could make something also inspired for the show.

The first thing that came to mind was Justice Ginsburg's history of women's rights activism and the lace collars she wears. 
I knew exactly that I wanted a black scarf with a panel of white lace along one edge. 
With some ideas shared among my facebook weaving groups, several pattern drafts were proposed. I took some of those and reworked them with the aid of my favorite weaving book Strickler's 8 shaft patterns and the trial version of Fiberworks, a  computer weaving-design program.  
I made the warp with yarns I fortunately had on hand: a 5/2 Rayon in colorway "Midnight" a very deep navy black for the main part of the warp and an off white rayon and cotton seed yarn called Shahrazade alternating it with white Rayon slub for the lace panel.
I planned to use black 8/2 Tencel for the weft. 

So off to the loom I went and carefully threaded my 10 dent reed intending for 20 ends per inch for the black and 18 for the thicker white. The reed seem to thread easily. The flat steel heddles were next and they  posed a little issue with the thicker seeds in the Shahrazade. I could see I would have to be careful winding on as well as when advancing the warp during weaving.  I had a successful winding on with even tension and got the warp tied on at the front ready to weave. 

Writing this after the fact now, I have lost track of how many times I ended up making adjustments  to my preliminary drafts on fiberworks as well as to the weaving.
But I started weaving only to find that first off, the Shahrazade was catching on the 10 dent reed and pulling back and forth with beating.  Out came the 8 dent reed and resleyed it.  Wove a few inches, much better for the thick lace, but found I did not like the sett. 20 epi was too loose for the black and 18 was way too loose for the lace yarns.  Unwove and resleyed changing to 22 epi for the black and 24 for the lace.  

Ah, finally, will this work?  Weaving went smoothly, the thick seed lace yarns needed gentle guidance through the heddles, but the reed was now perfect.  There was some evidence of difference in take up, but not too bad, so I just played with tension as needed. 

I was reminded of comments I've read about Justice Ginsburg being a perfectionist and how her students and legal aids never presented a finished piece of work but always labeled them a draft because she would always have some correction to red letter in.  
Therefore I will present my scarf as a final draft.  
I cut off the first scarf, tied fringes, wet finished, pressed and found that I was a little disappointed with how the lace pattern showed less distinctly than I'd hoped.  

No problem, back to the computer and redesign for the second scarf, two days of blurry computer eyes later, I've decided and now to rethread the heddles in the lace portion, retie on, and weave the second scarf. It will be what it will be.  

There are subtle differences between the two, but overall I feel very accomplished for all I learned during this process. 

sleying the reed

close up of the lace yarns in the reed 18epi

heddles are threaded and winding on with lease sticks for tensioning
picture from the back of the loom

 

lashed on to the front of the loom
my apron bar is not curved, it must be the angle of the picture. 

resleying the reed after rethreading the heddles for the second scarf.

 

first lace pattern, I can't see the circle along the upper edge. 

  

  

at Red Sky gallery on opening day